art can operate as cultural instruments; affecting its users and their audience. seek programs which speak directly in terms of affection, whose operations spell clear thier cultural implication. in the age of capitalism, the only response to the constant pressure of interest rates and rental identity, is to deny the mythology that enables capitalism’s decoding. the spectacle and logo-ism does not disappear when authority does; when meaning was drained from modern critique, us humaans remained. and it is humans that us artists are concerned with, and within the human: its affection.